Poni Hoax at Studio B

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Last night at Studio B, Tigersushi’s Poni Hoax put on a little party for us. They sounded great, played with an austere setup of two keyboards, a guitar, and a backline, and their singer is balding and wore bad sunglasses. He also wore a bad suit. Or maybe it was a tux. Leaping around to his own band’s fantastic soundtrack, I remember thinking that I liked that my first reaction to seeing this guy performing was enmity, because despite any visually induced prejudices I may have wanted to bring to the table, there I was on the floor fully dancing with my friends in rapt enjoyment of music that a band was unabashedly good at making. There was no unimportant criticism you could throw at the act that would stick. Pretty Tall Girls and Antibodies off of Images of Sigrid, the new release, were the definitive highlights of the set.

The Synthesizers were far more audible and buzzing live than on the album, always the hint of a pulse wave or a saw buzzing at a low octave. The guitar was equally pleasing in its buzzsaw distortion and its position at the fore of the sonic field, driving ahead of the strings on Antibodies and adding a level of grit and immediacy to the show that the immaculately-produced album tracks don’t do justice.

Interstice

Her living poltergeist will haunt you two-fisted with lust, accusing you on trains and in the open with the remnants of memories stirred by the appearance and mien of other women. She will pursue you in the transitional spaces, through the offices and into the restaurants, where you will be visible to everyone. For you alone she will superimpose her impossible form, her shape that fills the space in which she lives so completely, over everything under the sun. She will cast her perfect shadow over this whole wrong turn into the future you’ve taken. She will haunt you until your will to deny her is wrung and your desire for her is exposed.


Russians Just Flip Their Lids After National Team Victorious Over Holland In Euro Cup

The usually sedate Russian people threw all caution to the wind yesterday after their national soccer team made the semi-finals in the Euro Cup by defeating the invincible Dutch.

According to this AFP report, following the win, “in Moscow alone, over 700,000 people ran out into the night to hug passers-by, shoot fireworks and honk horns well into morning, police officials said.”

That’s not all! Enjoy this phonecam footage of the post-win ecstasy on Tverskaya my good friend John sent over. It’s like a three-way cross between the rapture, Mardi Gras and rush-hour traffic.

Poni Hoax for Real

Yesterday I began listening to Poni Hoax. I received an email from the Tigersushi Records mailing list, the label of a lot of electro weirdness from the old place over the sea. They are also home to art/synthy rockers Poni Hoax, who just came out with a new album in May called Images of Sigrid. I watched this video of them playing a live set, all Bauhaus and Bowie, and I thought to myself, wow, these guys are kind of good.

I then listened to the album. I thought to myself, yes, very good. Lots of space, lots of power and noise when the playing gets fast and business-like. Synth lines, long croons, and songs about women and disaster. And they are playing July 5th at Studio B.

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http://www.bleep.com/player/?/TSR021/127385/maxiplus/D3F9D3/575757/00D126

Powering Through a Moment’s Notice

Can’t take it gentle on the exit end of a bender’s tumult. On Mondays the masks go back on, the inbox gets emptied, the emails get answered. The paper trail, and other worms without heads or tails, resume their devouring crawls to replace the anachronously named things they are replacing. They are the desperate, content-less comatose sine-waves of signals that tell the world you are here, you are an employee, you are busy about being employed. It’s a strange thing, working, almost zen, almost buddhist in its circularity. “Here I am” is all you have to say, a million times a day, nothing more, no further justification for that paycheck demanded, and that’s a day’s work put in, that’s a livelihood justified. We’re all little lighthouses of the anti-enlightenment, little beacons going off with a steady beep and flash in our cubes in the bad, 25-year-old recirculated office air, aging like isotopes in the shrinking, colorless corridors between anonymous Mondays and Fridays. We’re all little interdependent rings in a drag-fishing net, drowning the dolphins of opportunity, little plastic rings in a six pack, singing We Are the World elbow in elbow and tearing the gills off our food’s mothers and fathers.

Good morning, working world.

Short Observations

The new Portishead is good. People should listen to it.

The new Breeders is good. People should listen to it.

Shy Child is good. People should listen to that band.

Drinking until it is quite light outside has not been done for some time by people who are Igor, and Igor highly recommends the opposite of this.

Quitting Your Job

To the detriment of liquidity, the suited man wrested Monday from multi-tasking and hit the street with his knowledge of French New Wave to shield him from the future.

He still wore hard-soled shoes, because he knew he would have to dig in his heels to prevent himself from being carried forward any further toward that end he had decided to avoid, toward the end of any day in particular. He cancelled his email accounts.

The first step was to spend all the money, and he couldn’t do that unless he stopped first for the whiskey so as to begin the swim against the flow of time and obligation that was carrying him along, so as to dip foot into the leisure stream and drift there on it in ambivalence to the flow of the mighty 9 to 5.

The first UFO was sighted hovering over a barmaid’s head in a familiar neck of the woods. It limned her good straight barmaid’s hair with an extra-terrestrial glow. Lo, and it deepened the shadows in her cleavage. The whiskey channeled that timeless light even into his bones, and he looked into that rift between the spheres and could see to the beginning and to the end as though they were one. He crushed ice between her teeth and he knew she was both the venus of Olduvai and the Madonna herself.

The light was high and he stepped away from the bar, one with knowledge but losing the definition of those points on a timeline he could usually remember. All music was becoming familiar to him, but he did not remember the words. He had his smile, which never met with refusal, so he was unafraid to walk amongst the willows whose limbs turned and whistled in the winds outside the modeling agencies. He in his turn whistled.

The second UFO flew through the air at his own height, clamped over his ears, singing. He felt sublime importance as he made his way in the opposite directions, bobbing his head and doling out his unstoppable smiles.

More drink would be necessary before long.

The suited man grew youthful and more useful to himself, and he felt a hard shell begin to grow to cover his back, turned away from the days he had left, the only scornful part of him now as he relaxed.

He fell into a bar he used to know and used his knowledge of Mid-Western punk to arm the jukebox against silence. He used his intuition to feel his way among the taps and came to know which beer would be his drink.

He felt fine. The future rumbled away like the 2nd avenue subway, away in sealed tunnels, nowhere, and it was fine that that future toiled on toward itself forever away from him. It was fine that it was gone.

Onward toward the natural sunset he sat, and the crowds circulated in to where he was to provide him with the fucking to redeem his head in the priceless morning to follow, the priceless morning when he would step into the airplane that others, ground like keys in dim pursuits, would barely see, as they barely saw all airplanes through their bad office windows, so they would not know that he was redeeming his plane ticket to Babylon, the endless city of knowledge where nobody wears a watch.

Appearances Matter: Another ’68 Retrosective

I just read in the Times this morning that, in addition to the Godard’s ’60s series playing out this week and into the summer at Film Forum, there’s an international series of films being put on at the Film Society of Lincoln Center. Entitled simply 1968 , it’s a film record of the sentiment, urgency, and power of that peculiar time, so alien 40 years on. It began yesterday, and carries on through May 14th.